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COMPLETE FILMOGRAPHY WITH SYNOPSIS
Cinematography (feature film)
Captain Nathan Algren is a man adrift. The battles he once fought now seem distant and futile. Once he risked his life for honor and country, but, in the years since the Civil War, the world has changed. Pragmatism has replaced courage, self-interest has taken the place of sacrifice and honor is nowhere to be found--especially out West where his role in the Indian Campaigns ended in disillusionment and sorrow. Somewhere on the unforgiving plains near the banks of the Washita River, Algren lost his soul. A universe away, another soldier sees his way of life about to disintegrate. He is Katsumoto, the last leader of an ancient line of warriors, the venerated Samurai, who dedicated their lives to serving emperor and country. Just as the modern way encroached upon the American West, cornering and condemning the Native American, it also engulfed traditional Japan. The telegraph lines and railroads that brought progress now threaten those values and codes by which the Samurai have lived and died for centuries. But Katsumoto will not go without a fight. The paths of these two warriors converge when the young Emperor of Japan, wooed by American interests who covet the growing Japanese market, hires Algren to train Japan''s first modern, conscript army. But as the Emperor''s advisors attempt to eradicate the Samurai in preparation for a more Westernized and trade-friendly government, Algren finds himself unexpectedly impressed and influenced by his encounters with the Samurai. Their powerful convictions remind him of the man he once was. Thrust now into harsh and unfamiliar territory, with his life and perhaps more important, his soul, in the balance, the troubled American soldier finds himself at the center of a violent and epic struggle between two eras and two worlds, with only his sense of honor to guide him.
Writer (feature film)
A Native''''s adopted son falls for the British officer''''s daughter he''''s assigned to protect during the French and Indian War.
Spinner McGee (Phil Reagan), devil-may-care mail pilot volunteers his courage and skill for the task of raising $100,000 to save the small airport owned by Pop Hussey (Harlan Briggs) from being condemned. Spinner's recklessness, combined with the efforts of others who have a vested interest in seeing the field closed, make it a hard task to accomplish, but Colonel Roscoe Turner (played by Colonel Roscoe Turner who was always billed with his rank) is on hand to help.
A frontier scout rescues the daughters of a British colonial commander from renegades.
Art Department (feature film)
It is 1933, and vaudeville actress Ann Darrow has found herself--like so many other New Yorkers during the Great Depression--without the means to earn a living. Unwilling to compromise and allow herself to sink into a career in burlesque, she considers her limited options while aimlessly wandering the streets of Manhattan. When her hunger drives her to unsuccessfully try to steal an apple from a fruit vendor''s stall, she is rescued--literally--by filmmaker and multiple hyphenate Carl Denham. It seems that the entrepreneur-raconteur-adventurer is no stranger to theft, having that day lifted the only existing print of his most recent and unfinished film from under his studio executives'' noses when they threatened to pull his completion funds. Carl has until the end of the day to get his crew onboard the Singapore-bound tramp steamer, the S.S. Venture, in hopes of completing his travelogue/action film. With that, the showman is certain he will finally achieve the personal greatness he knows awaits him around the corner--and although the crew believe that corner to be Singapore, Denham actually hopes to find and capture on film the mysterious place of legend: Skull Island. Unfortunately for Carl, his headlining actress has pulled out of his project, but his search for a size-four leading lady (the costumes have all been made) has, fatefully, led him to Ann. The struggling actress is reluctant to sign on with Denham, until she learns that the up-and-coming, socially relevant playwright Jack Driscoll is penning the screenplay--the fees his friend Carl pays for potboiling adventure are a welcome supplement to Driscoll''s nominal income from his stage plays. With his newly discovered star and coerced screenwriter reluctantly onboard, Denham''s "moving picture ship" heads out of New York Harbor--and toward a destiny that none aboard could possibly foresee.
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