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Overview for Patrick Moraz
Patrick Moraz

Patrick Moraz

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Also Known As: Died:
Born: Cause of Death:
Birth Place: Profession: Music ...
RATE AND COMMENT

COMPLETE FILMOGRAPHY WITH SYNOPSIS

Director (feature film)

1.
Chemin Perdu, Le (1980) as Director

Cast (feature film)

2.
Stepfather, The (1987)
A seemingly average man, after murdering his entire family, remarries a widow with a teenage daughter in another town and prepares to do it again.

Writer (feature film)

4.
Chemin Perdu, Le (1980) as Screenwriter

Music (feature film)

5.
In the Eye of the Snake (1990) as Music
A lonely young snake collector falls in love with a beautiful but troubled research assistant.
6.
Stepfather, The (1987) as Music Producer
A seemingly average man, after murdering his entire family, remarries a widow with a teenage daughter in another town and prepares to do it again.
7.
Stepfather, The (1987) as Songs ("Overload" "I Want You")
A seemingly average man, after murdering his entire family, remarries a widow with a teenage daughter in another town and prepares to do it again.
8.
Stepfather, The (1987) as Music
A seemingly average man, after murdering his entire family, remarries a widow with a teenage daughter in another town and prepares to do it again.
9.
Chemin Perdu, Le (1980) as Music
10.
Milieu du Monde, Le (1974) as Music
Aspiring Swiss politician Paul is married to one woman but in love with Italian waitress Adriana. When he offers to leave his wife and abandon his career, Adriana breaks off the relationship. For her, romantic love is a revolution that changes nothing.
11.
L'Invitation (1973) as Music
When a man comes into money, he buys a large country house and invites his office co-workers to a party. During the party, the colleagues release their inhibitions and get to know each other.
12.
Salamandre, La (1971) as Music
Two men, arty though somewhat staid, are drawn to the spirited and quixotic Rosemonde, a young working-class woman whom they meet because they're writing a teleplay about a minor but curious event in which either her uncle was wounded while cleaning his rifle or she shot him. Pierre is a free-lance journalist hired to write the script; he's short of time so he asks a Bohemian poet friend, Paul, to help. Pierre wants facts and tracks down Rosemonde for interviews that lead to other explorations; Paul only wants to imagine her and needs little more than her name to do so. But he does meet her, and she entangles him, too. Did she cause the shooting? Is she venomous or innocent?

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