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|Also Known As:||Died:|
|Born:||October 4, 1976||Cause of Death:|
|Birth Place:||San Francisco, California, USA||Profession:||actor, producer, model|
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Having gained considerable attention by appearing as a love-spurned teen in the music video for Aerosmith's "Cryin'" (1993), actress Alicia Silverstone saw her career skyrocket in a few short years. After making her film debut in the thriller "The Crush" (1993) and appearing in two more Aerosmith videos, Silverstone became the It-girl of the Clearasil set with her dazzling performance as a spoiled, but still kind and generous, Beverly Hills teen in the hit comedy "Clueless" (1995). The surprising success of the movie allowed the precocious young actress to sign a lucrative deal and form her own production company. Silverstone settled into steady work, appearing in supporting roles in hits like "Beauty Shop" (2005) and "Tropic Thunder" (2008) as well as well-received indies like "Butter" (2011) and "The Killing of a Sacred Deer" (2017) before returning to series TV in "American Woman" (Paramount 2018).Born on Oct. 4, 1976 in San Francisco, CA, Alicia Silverstone was raised in the affluent suburb of Hillsborough by her father, Monty, a real estate investor, and her mother, Didi, a former flight attendant. As a child, Silverstone developed an early interest in performing after having seen her first...
Having gained considerable attention by appearing as a love-spurned teen in the music video for Aerosmith's "Cryin'" (1993), actress Alicia Silverstone saw her career skyrocket in a few short years. After making her film debut in the thriller "The Crush" (1993) and appearing in two more Aerosmith videos, Silverstone became the It-girl of the Clearasil set with her dazzling performance as a spoiled, but still kind and generous, Beverly Hills teen in the hit comedy "Clueless" (1995). The surprising success of the movie allowed the precocious young actress to sign a lucrative deal and form her own production company. Silverstone settled into steady work, appearing in supporting roles in hits like "Beauty Shop" (2005) and "Tropic Thunder" (2008) as well as well-received indies like "Butter" (2011) and "The Killing of a Sacred Deer" (2017) before returning to series TV in "American Woman" (Paramount 2018).
Born on Oct. 4, 1976 in San Francisco, CA, Alicia Silverstone was raised in the affluent suburb of Hillsborough by her father, Monty, a real estate investor, and her mother, Didi, a former flight attendant. As a child, Silverstone developed an early interest in performing after having seen her first plays in London while on summer vacation when she was three years old. She also began studying ballet when just a sprout and won fourth-place at a county fair for a dance routine set to the theme from "Flashdance." After her father found her a modeling agent, Silverstone began appearing in print when she was eight years old and soon made the jump to the small screen with her commercial debut in a Domino's Pizza ad. When she was 13, Silverstone began an intensive acting workshop with Judi O'Neil in San Francisco before briefly attending San Mateo High School and even Beverly Hills High School for a semester, only to drop out in her sophomore year. Following her television debut with an episode of "The Wonder Years" (ABC, 1988-1993), the remarkably self-assured 15-year-old used her more advanced appeal to breakthrough in the feature world playing an unstable teen in love with an older man (Carey Elwes) in "The Crush" (1993).
In order to play the role in "The Crush," which demanded a minor work more hours than legally permitted, Silverstone successfully emancipated herself from her reluctant parents, a move that drew repeated questions over whether or not she had a personal falling out with her mother and father, which she maintained was never the case. Meanwhile, "The Crush" fizzled at the box office, though Silverstone won MTV Movie Awards for Best Villain and Best Breakthrough Performance. She continued her stellar breakout year by starring in three Aerosmith videos - "Cryin'" (1993), "Amazing" (1993) and "Crazy" (1994) - all of which propelled the young sexpot into the limelight and granted her widespread attention as a desirable, wild-at-heart teen. Also in 1993, she delivered a daring performance as a cocaine-addicted lesbian in the Los Angeles stage production of Pauline Lepor's "Carol's Eve." Following a supporting role in the made-for-cable movie "Cool and the Crazy" (Showtime, 1994), she returned to the big screen for Amy Heckerling's "Clueless" (1995), in which she played popular Beverly Hills High School student, Cher Horowitz who knows all about fashion, dating and looking good, but nothing about matters of the heart. A surprise hit that also earned widespread praise from critics for its clever writing, many of whom also hailed her adroit performance, "Clueless" helped skyrocket Silverstone's already rising value and became an instant classic.
With her newfound cache, Silverstone signed a deal worth $7-10 million to produce and star in two movies for Columbia Pictures while also snaring a three-year, non-exclusive, first-look production pact with the studio for her new production company, First Kiss Productions. Not one to rest on her laurels, she bettered her skills by attending a month-long classics boot camp, Shakespeare & Company, in the Massachusetts' Berkshires. After a seductress role in the little-seen erotic thriller "The Babysitter" (1995), Silverstone starred as a bright student who becomes the next target for a serial killer in "True Crime" (1996). Meanwhile, her next two projects seemed to take some of the luster off the newly minted golden girl. First was Joel Schumacher's ridiculously over-the-top "Batman & Robin" (1997), in which she played Bat Girl to George Clooney's nipple-suited Batman and Chris O'Donnell's winey Robin. Arguably the most laughable and poorly received movie in the franchise, it nonetheless did brisk business at the box office. She next starred in "Excess Baggage" (1997), the first film to be released under her production shingle, a caper-romantic comedy combo that starred the actress as the wealthy daughter of a distant millionaire father (Jack Thompson), who stages her own kidnapping to gain his attention, only to find herself in the hands of a real criminal. The movie was a critical and financial failure.
With her career in need of another "Clueless," Silverstone unfortunately took another step back when she chose to star in the pallid "Blast From the Past" (1999) opposite Brendan Fraser. Although on paper the fish-out-of-water romantic comedy appeared to have possibilities, the end result was rather disappointing and failed to garner interest at the box office. Silverstone fared much better in an unlikely role, her first Shakespearean part in "Love's Labour's Lost" (2000), Kenneth Branagh's musical take on the Bard's romantic comedy. While some found his homage to the musical films of the 1930s and 1940s a bit much, most were entranced by Silverstone's performance as the Princess of France. An avowed vegan with strong sociopolitical views on animal rights, Silverstone began spending much of her time promoting animal-friendly causes. She lent her voice to 13-year-old Sharon Spitz, the lead character of the socially conscious and frequently awarded animated TV series, "Braceface" (ABC Family, 2001-03), which the actress also executive produced. Back in features, Silverstone found herself unable to escape her big screen doldrums when her rock satire "Rock My World" (2002) and heist comedy "Scorched" (2003) made little impact. But that same year, she received many positive critical notices for her stint on Broadway as Elaine Robinson in the popular stage production of the classic 1967 film "The Graduate," opposite Jason Biggs and Kathleen Turner.
By this point, Silverstone was primed for a major comeback. But instead of another movie, she tried her hand at the small screen. Teaming with producer Darren Star, she starred in "Miss Match" (NBC, 2003), a lighthearted, romance-minded series in which Silverstone played Kate Fox, a divorce lawyer by day and a professional matchmaker by night. Although not as edgy as Starr's popular "Sex & the City," the show successfully revived interest in the actress and rekindled her "Clueless" image as a cute, ideal gal pal - though now grown-up. Despite the positive vibes surrounding the show, "Miss Match" failed to find an audience and was canceled mid-first season. Silverstone stayed active on the big screen with a turn as a sexy investigative reporter badgering Scooby, Shaggy and the gang in the sequel "Scooby Doo 2: Monster Unleashed" (2004), and had a scene-stealing comedic dance sequence in the "Babershop" spin-off with a female slant, "Beauty Shop" (2005). Her career slowed following the direct-to-DVD thriller "Silence Becomes You" (2005) and the teen spy adventure "Alex Rider: Operation Stormbreaker" (2006). After starring in the small screen movie "Candles on Bay Street" (CBS, 2006), she had a brief cameo appearance as herself in Ben Stiller's hit comedy "Tropic Thunder" (2008). She also made news the previous year when she appeared on "The View" (ABC, 1997- ) after walking on stage and apparently snubbing ultra-conservative Elizabeth Hasselbeck despite hugging the other three hosts. Silverstone later called to apologize to Hasselbeck, though the latter said it was just a matter of nerves and was wrongly perceived by the media.
Following a series of unsold television pilots and a short career break, Silverstone returned to the screen with a small role in the indie romantic comedy "The Art of Getting By" (2011), followed by a role in ensemble satire "Butter" (2011). Silverstone reunited with Amy Heckerling for the vampire comedy "Vamps" (2012) and starred with screenwriters Casey Wilson and June Diane Raphael in road trip comedy "Ass Backwards" (2013) before starring in the fantasy "Gods Behaving Badly" (2013), which went unreleased after a short stint on the festival circuit. After co-starring in coming of age comedy drama "Angels in Stardust" (2014), Silverstone appeared in crime drama "King Cobra" (2016) and female-driven action comedy "Catfight" (2016) before returning to her romantic comedy roots opposite Ryan Kwanten in "Who Gets the Dog?" (2017). After appearing as the title character's mom in "Diary of a Wimpy Kid: The Long Haul" (2017), Silverstone appeared in supporting roles in Yorgos Lanthimos's psychological drama "The Killing of a Sacred Deer" (2017) and coming of age drama "The Tribes of Palos Verdes" (2017). Silverstone returned to television the following year as the star of '70s-set sitcom "American Woman" (Paramount 2018- ).
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Silverstone has participated in The Forum, a so-called "self-improvement" organization akin to est.
She is a passionate animal rights activist, affiliated with PETA in New York and Last Chance for Animals in California.
"I mean, a lot of times I wonder, What drugs are these people taking that allow them to stay alive? My perception of [Hollywood] is that it is very cold and very dry and very dark. But the people, they always have a smile on their face, though I always wonder, How deep in that smile is the knife? I just don't understand how jobs could rule people's lives. I don't really understand how you could think, I'm going to backstab, cheat, harm, just to get ahead in a business. I mean, I guess in caveman world it happened, but it happened to survive!"---Alicia Silverstone in VANITY FAIR, September 1996.
In response to the people in Hollywood who take exception to Silverstone's closeness to her agent-turned-manager Carolyn Kessler: "My relationship with Carolyn is a marriage. I'm going to have her as a friend forever. Carolyn supported me being who I am. She'd rather I be happy than successful as an actress. That's been really helpful. I don't trust anybody here [in Hollywood]. People are greedy and insensitive and eager to be successful in a really nasty way, almost where everybody's a mini-Hitler."---Silverstone quoted in PREMIERE, August 1997.
On her role of Batgirl in the ill-fated "Batman & Robin" (1997), Silverstone told the Web site Mr. Showbiz (mrshowbiz.go.com): "I knew the day I started shooting it wasn't going to be a good movie. I don't regret it; it's just a silly, huge movie. This movie was a huge machine; it was bigger than any actor in it. But you can't have a film without a story, and that was my problem with it. I thought I'd be really cool, like Catwomanish, not the same character, but important and interesting and complex, and have idiosyncrasies. [Instead] I was like this big fashion show-type machine. It worked out really well though; George Clooney was really nice and that was cool."
"For close to two years I've been vegan, and it's turned my whole life around. I can sleep better, I have more energy, my skin is really clear, and my body's in the shape it needs to be in. And being vegan, I love food more, because animal products numb your taste buds. It's not a joke that a lot of people are lactose intolerant. They open them up and there are blocks of cheese inside them that they can't digest. I mean, have you seen how they make milk? Ugh!"---Silverstone to Entertainment Weekly, June 1, 2000.
"Alicia makes this idea make sense to me,'' Star tells Variety. "You believe her as someone who believes in other people's happiness. She has a very empathetic quality and innate sweetness and loveability to her. There's this grown-up, adult persona that I don't think people are quite as familiar with."---Darren Star talking about her role in "Miss Match" to EWonline, September 2003.
"My lifestyle really allows me to feel healthy as I'm being pulled left and right and up and down and my brain's falling out. I feel like as long as you can get to yoga, eat really good, feel healthy and have love in your life, it's all good."---Silverstone quoted in Moveline's Hollywood Life, May 2004.
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