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Overview for Ellis W. Carter
Ellis W. Carter

Ellis W. Carter



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Birth Place: Profession: Cinematography ...


Cinematography (feature film)

Your Cheatin' Heart (1964) as Director of Photography
Legendary country-western singer Hank Williams uses alcohol to deal with the pressures of fame.
Kissin' Cousins (1964) as Director of Photography
A singing military officer gets mixed up with his look-alike hillbilly cousin.
He Rides Tall (1964) as Director of Photography
Hootenanny Hoot (1963) as Director of Photography
Television producers discover country/western music at a small-town college.
Diary of a Madman (1963) as Director of Photography
The body of a French magistrate is taken over by the soul of a murderer.
Twice Told Tales (1963) as Director of Photography
A poisonous young beauty, the secrets of eternal life and a haunted house chill this collection of Nathaniel Hawthorne stories.
Showdown (1963) as Director of Photography
Pirates of Tortuga (1961) as Director of Photography
The Fiercest Heart (1961) as Director of Photography
The Second Time Around (1961) as Director of Photography
A widow with several children leaves New York City to become a ranch hand in territorial Arizona.
Seven Ways from Sundown (1960) as Director of Photography
Audie Murphy is again the kid who puts on a badge to catch the bad guy, skillfully played by Barry Sullivan. On the way back to town the two develop a curiously close relationship - Sullivan passes up several chances to get away - but in the end Sullivan "asks for it" and Murphy obliges.
Sex Kittens Go to College (1960) as Director of Photography
A stripper with a high IQ gets a job teaching at a college science department through a selection process determined by a robot.
The Leech Woman (1960) as Director of Photography
A faded beauty leaves a trail of murder from Africa to the United States when she discovers a compound that will restore her lost youth--when consumed with fluid from the pineal gland of the newly dead.
The Purple Gang (1960) as Director of Photography
The story of the infamous gang of bootleggers, hijackers, and killers in 1920''''s Detroit.
The Wizard of Baghdad (1960) as Director of Photography
In ancient Baghdad, a genie helps a prince and princess occupy the throne instead of the evil Sultan.
Night of the Quarter Moon (1959) as Director of Photography
A San Francisco society boy learns that his new wife is part-black.
Curse of the Undead (1959) as Director of Photography
B-grade western with a twist: mysterious gunslinger-for-hire Drake Robey is really a vampire, and it's up to Preacher Dan to save the town and girlfriend Dolores Carter.
Oregon Passage (1958) as Director of Photography
An Army officer tries to help a Native American group in his charge.
Damn Citizen (1958) as Director of Photography
The Land Unknown (1957) as Director of Photography
On a naval expedition to Antarctica, three men and reporter Maggie Hathaway crash-land in a crater 1000 m below sea level. There, they encounter steamy tropical forest, dinosaurs, carnivorous plants, and human footprints, as Maggie's clothes become more and more abbreviated.
Slim Carter (1957) as Director of Photography
Hughie Mack, a not so nice western singer, is discovered by Clover Doyle as the next movie cowboy hero. His name is changed to Slim Carter and a promotional buildup begins. Leo Gallaher, an orphan boy wins the contest to spend a month with Slim. Leo is a good influence on his cowboy hero. Clover sees the good and more in Slim. Montana Burriss is Slim's double.
The Incredible Shrinking Man (1957) as Director of Photography
When he mysteriously starts shrinking, a man finds a new world of danger in everyday creatures.
The Monolith Monsters (1957) as Director of Photography
A strange black meteor crashes near the town of San Angelo and litters the countryside with fragments. When a storm exposes these fragments to water, they grow into skyscraper-sized monoliths which then topple and shatter into thousands of pieces that grow into monoliths themselves and repeat the process. Any humans in the way are crushed or turned into human statues. The citizens of San Angelo desperately try to save themselves and the world from the spreading doom.
The Deadly Mantis (1957) as Director of Photography
A prehistoric praying mantis wreaks havoc on the Eastern seaboard.
The River Changes (1956) as Director of Photography
Around the World in 80 Days (1956) as Dir of photog, 2d unit
A Victorian gentleman bets that he can beat the world's record for circling the globe.
The Mole People (1956) as Director of Photography
Archaeologists stumble upon a race of albinos living under the earth. They are afraid of light of any kind and keep mutant humanoid mole men as their slave
A Day of Fury (1956) as Director of Photography
Flight to Hong Kong (1956) as Director of Photography
A syndicate boss betrays the mob in the name of love.
Running Wild (1955) as Director of Photography
The Last Command (1955) as 2d unit dir of photog
Texas hero Jim Bowie defends against Mexican general Santa Ana.
Arrow in the Dust (1954) as Photography
A deserter takes on his dead captain's identity to save a wagon train.
The Human Jungle (1954) as Director of Photography
Danforth (Gary Merrill) is assigned to take over the police department in a section of a large city saddled with juvenile delinquency, petty crimes, graft and also a recent unsolved murder of a strip-tease dancer. Recognizing the laxity of the department he implements many changes and soon finds himself under fire by the newspapers, the attorney of a racket leader and the denizens of this human jungle. He calls this a cop's war that is the same as a soldier's war with the difference being that people hate cops. His cause isn't helped when a rookie policeman accidently kills an innocent bystander. And he has to protect police informer Mary Abbott (Jan Sterling) from Swados (Chuck Connors), a killer in the hire of the man behind the petty mobsters.
Cease Fire (1954) as Director of Photography
The Black Dakotas (1954) as Director of Photography
Confederate spies try to keep the President's emissary from delivering a peace treaty to the Sioux.
The Royal African Rifles (1953) as Photography
Captain John Smith and Pocahontas (1953) as Director of Photography
The legendary Indian princess saves a British soldier from execution and follows him to England.
California Conquest (1952) as Director of Photography
A wealthy landowner leads the fight to leave Mexican rule and make California a state.
Indian Uprising (1952) as Director of Photography
It's 1885 in Arizona and an Army Captain has dispersed his troops to keep the whites off of Government land thereby keeping the peace with the Apaches. But there are those in Tucson that want the miners back looking for gold and they put pressure on officials in Washington. Soon a new commander arrives, the troops are recalled, and the miners go after gold. Whites then kill a miner with an arrow so they can attack the Indians hoping the troops wipe them out when they retaliate.
Sound Off (1952) as Director of Photography
A brash nightclub entertainer has to straighten out when he's drafted and falls for a beautiful WAC.
Outlaw Women (1952) as Photography
Rainbow 'Round My Shoulder (1952) as Director of Photography
Thief of Damascus (1952) as Director of Photography
A young man assembles a band of adventurers to take on an evil sultan.
Havana Rose (1951) as Director of Photography
The Texas Rangers (1951) as Director of Photography
The head of the Texas Ranger enlists two convicts to track an outlaw band.
The Magic Carpet (1951) as Director of Photography
A dethroned ruler becomes a masked avenger to win back his throne and his ladylove.
The Barefoot Mailman (1951) as Director of Photography
A 19th-century con artist flees to the wilds of Florida to elude the law.
Sunny Side of the Street (1951) as Director of Photography
A TV station receptionist tries to make her boyfriend a singing star only to lose him to the sponsor''''s daughter.
Invisible Monster, The (1950) as Cinematographer
Hills of Oklahoma (1950) as Director of Photography
In this remake of Gene Autry's 1942 "Call of the Canyon", Rex Allen (Rex Allen), the newly-elected head of the cattleman's association, is driving the combined herds of the ranchers to the nearest railhead when he runs into trouble. The drive is stopped by Brock Stevens (Robert Karnes), whose father is a power in the meat-packing industry, and whose ownership of the railroad spur line enables him to deal ruthlessly with the local ranchers. Rex and the other ranchers are elated when Brock agrees to pay fair-market price for the cattle until they learn the exorbitant loading fees he charges will eat up their profits. The only alternative is to drive the herd to the main line railroad at Big Bow, but to do so means Brock will crack down on them for the $10,000 feed bill they owe his company. Rex starts to Tulsa to borrow the needed money, after ending a move by Hank (Trevore Bardette), the lone dissenter among the ranchers and actually in league with the Stevens crowd. Brock sends his foreman, Webb (Lane Bradford), to stop Rex and his sidekick Jigg (Fuzzy Knight) and when this fails, Brock contacts his father, Charles Stevens (Robert Emmett Keane) in Tulsa. Whens the elder Stevens learns that Rex is appealing to Kate Carney (Elizabeth Risdon), owner of a rival packing company, he sets a plan in action to undermine Rex's appeal for a loan.
Prisoners in Petticoats (1950) as Director of Photography
The Vanishing Westerner (1950) as Director of Photography
The Old Frontier (1950) as Director of Photography
Lonely Hearts Bandits (1950) as Director of Photography
Two con artists join forces and pose as brother and sister. He then meets rich widows through the "personals" sections of newspapers, marries them, and both kill the widows for their money.
Unmasked (1950) as Director of Photography
The editor of a sleazy tabloid newspaper has been borrowing money from his lover, the wife of a rich theatrical producer, and promises to marry her when she gets a divorce. However, the husband refuses to grant her a divorce, and takes back all the money and jewelry he has given her. The editor sees her husband leaving her apartment and, seeing his opportunity, kills her, takes all his IOUs (and the jewelry) and frames the husband for the murder.
Gunmen of Abilene (1950) as Director of Photography
Abilene gunmen are bent on terrorizing the town of Blue Valley and massacring its inhabitants. They have been hired by local druggist Henry Turner (Peter Brocco), who has discovered gold beneath the town and wishes complete possession. The gunmen rob supply wagons, burn houses, kill leading citizens and then the gang leader, Brink Fallon (Roy Barcroft), having acquired Rocky Lane's paper, poses as the new deputy marshal sent to bring order. Then the real Rocky Lane (Allan Lane as Allan "Rocky" Lane) shows up in his usual bad mood, and the tide begins to turn.
Dynamite (1949) as Director of Photography
Gunner Peterson (William Gargan) is a veteran dynamite man working for Jake (Irving Bacon)and is romantically interested in Jake's daughter Mary (Virginia Welles.) Johnny Brown (Richard Crane), son of Nellie Brown (Mary Newton) who operates a boarding house, finds college too tame after his stint with a demolition squad in the army, and decides to quit. Getting a job with Jake, he is soon resented by Gunner when he tries to introduce some new methods and also starts showing an interest in Mary. A truck loaded with dynamite gets away from Hard-Rock Mason (Frank Ferguson)and the loss of the truck causes Jake to have to borrow money from Nellie to keep his business going. Hard Rock is killed in a blast which Gunner decides was his fault, since he wouldn't listen to Johnny's ideas about how to set the charge, and he leaves. Later, when Johnny is testing charges, there is an unexpected blast and he is trapped in the tunnel.
Special Agent (1949) as Director of Photography
The Blonde Bandit (1949) as Director of Photography
El Paso (1949) as Director of Photography
A young lawyer turns himself into a sharpshooter to clean up a corrupt western town.
Ranger of Cherokee Strip (1949) as Director of Photography
Having been framed for murder, the half-breed Joe Bearclaws escapes from prison and Ranger Steve Howard goes after him. He catches up with him in the Cherokee Strip where he has no authority. Joe is then framed for another murder and this time Steve knows he is innocent and goes after the real killer.
Who Killed Doc Robbin (1948) as Camera Operator
Caged Fury (1948) as Director of Photography
Disaster (1948) as Director of Photography
Waterfront at Midnight (1948) as Director of Photography
Speed to Spare (1948) as Director of Photography
Stunt driver Cliff Jordan (Richard Arlen) takes a job with his old pal Jerry McGee (Richard Travis), branch manager of an express trucking firm. Jerry is married to Mary (Jean Rogers), Cliff's former girl friend. Also working for Jerry is Pete Simmons (Pat Phelan), son of the owner Al Simmons (Paul Harvey), and office secretary Jane Chandler (Nanette Parks), who is Pete's sweetheart. Before long, Cliff has made enemies of Pusher Wilks (Ian MacDonald), a trucker whose run he takes over, and also Pete, whose girl he is trying to take over. Pusher sabotages Cliff's rig at every opportunity causing several near-fatal accidents.
Here Comes Trouble (1948) as Camera Operator
A newspaper publisher and his ace reporter try to solve the murder of a blackmailing stripper.
Mr. Reckless (1948) as Director of Photography
The Story of Bob and Sally (1948) as Photography
Big Town Scandal (1948) as Director of Photography
Steve Wilson (Philip Reed), crusading editor of the Big Town's Illustrated Press, with the aid of police-beat reporter Lorelei Kilbourne (Hillary Brooke) battles against the core of the city's vice - its young delinquents. He takes five of the worst young offenders and molds them into the town's best basketball team. The leader of the kid gang, Tommy Malone (Stanley "Stash" Clements), ties in with two hoodlums and agrees to throw the basketball game.
Shaggy (1948) as Director of Photography
Big Town After Dark (1947) as Director of Photography
When Lorelei Kilbourne (Hillary Brooke) leaves her job as the police reporter for the Illustrated Press, Managing Editor Steve Wilson (Philip Reed) employs the publisher's niece, Susan Peabody (Ann Gillis), to replace her. Susan becomes involved with gangsters in plotting a $50,000 swindle against her uncle, which Steve and the returned Lorelei uncover.

Film Production - Main (feature film)

Don Daredevil Rides Again (1951) as Photography
The 57th of Republic's 66 serials is filled with stock footage from some of that company's previous "Zorro" serials, primarily 1944's "Zorro's Black Whip", so a lot of the footage finds Ken Curtis wearing the same costume as Linda Stirling and (mostly) her double Babe DeFreest wore in that serial. Disney now owned the rights to the Zorro character, but Republic wasn't about to let all that footage go to waste when all they had to do was create a character called Don Daredevil. Those who express surprise at finding TV's "Festus" as the lead in a serial evidently are looking at the career of Ken Curtis from the back end rather than from the beginning aspect of his career. The serial has political boss Douglas Stratton (Roy Barcroft) finding that an old Spanish Land Grant made to Ricardo Moreno and later sold to Patrick Doyle to be a forgery, and he tries to cash in by having his men attempt to stake out mineral claims and homesteads on the ranches now part of the original grant. The plot is resisted by Patricia Doyle (Aline Towne), grand-daughter of Patrick Doyle, and her neighbor Gary Taylor (Robert Einer). Stratton backs up his demands with the help of the crooked sheriff (I. Stanford Jolley), and Gary and Patricia are facing with losing their property when her cousin, Lee Hadley (Ken Curtis), arrives from back East. Foreseeing Stratton's move, he already has homesteaded the Doyle Ranch, forcing Stratton to temporarily back down. The other ranchers follow suit, homesteading and mineral-claiming their own property, but Stratton organizes a gang of night riders to try and drive off the ranchers before they can prove their titles. Lee decides to take on the character of Don Daredevil, which has been used by his grandfather during earlier times of trouble. As the masked daredevil, Lee is successful in driving off Stratton's raiders. Stratton lures Don Daredevil into an ambush but he escapes to an old ore shack overhanging a cliff, and Chapter One, "Return of the Don", ends when the shack is dynamited. Eleven more chapters reel by before Lee/Don Daredevil acquires the original, unforged deed and puts an end to Stratton's scheme in the 12th episode, "Flames of Vengeance."
James Brothers of Missouri, The (1949) as Photography

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